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      <image:caption>Photo Credit: Vicky Shin</image:caption>
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  <url>
    <loc>http://www.karenyu.net/elsewhere</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/1605438722570-ME806CUANQ4U0JQSE7UA/4WL04445.JPG</image:loc>
      <image:title>elsewhere</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/445aa92b-4c4f-4517-9ac0-b0beb87aaafc/Screen+Shot+2021-11-15+at+12.55.08+PM.png</image:loc>
      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>Menú del día: Interview by South China Morning Post “Hong Kong’s contemporary percussion group, The Up:Strike Project, will be putting this same idea into practice next month at the city’s New Vision Arts Festival – which introduces audiences to pioneering, trendsetting and groundbreaking performing arts from around the world – by asking the question: can what you hear affect what you taste?” Read the Full Story here OCTOBER 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/3c33d6d1-c56b-49b3-a0c6-6e45de06cbdb/Screen+Shot+2021-11-15+at+12.58.31+PM.png</image:loc>
      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>Menú del día: Interview by Singtao Daily 「《是日酒單》終延至今年上演，阿根廷音樂仍是主調，但葡萄酒給換上雞尾酒──雞尾酒以罐盛之，不礙事，舊瓶新酒，或更合時宜。他們邀來本地調酒師李城飛，以阿根廷「國民味道」布蘭卡苦酒（Fernet Branca）為主角，調製兩款手工雞尾酒，配搭五首曲目。揭開序幕的，是Viet Cuong（美國）的《Water, Wine, Brandy, Brine》，玻璃杯也是敲擊樂器，看來很好玩，「以此開場，希望觀眾覺得，新音樂其實不是那麼難接受。」接下來Astor Piazzolla（阿根廷）的《Histoire du Tango》，探戈也是普羅大眾熟悉的旋律節拍。 這兩首作品，所配搭的那款雞尾酒味道，也是較易入口的，但後來的Philippe Manoury（法國）《Marimba Duo from Le Livre des Claviers》、Facundo Negri（阿根廷）《A-Lógica 3》、John Cage（美國）《Credo in Us》卻不然，都是被余林橞形容為「哽」的曲目，「《Credo in Us》是John Cage在戰爭時寫的作品。疫情下也像戰爭狀態，一切變得諷刺、滑稽，這首曲也有滑稽的味道，很切合我們現在的狀態。」這首作品所配搭的雞尾酒，味道極端，她笑說，你要麼很歡喜，要麼很討厭。」 Read the Full Story here OCTOBER 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/1620733025210-ZJVR9EQVGX026P0HTQD5/IMG_6103.JPG</image:loc>
      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>「跳出樂器框框 拍、打、捽 身體奏出敲擊樂」Interview by Mingpao Excerpt: 「?Corporel在音樂廳演出，但沒有樂器，有聲音也有動作，其實是屬於哪一類型的作品，抑或「咩都唔係」？Karen直言就是「咩都唔係」才最有趣。「通常去參加一場演奏會，看宣傳單張你便會知道會演奏哪些作品，然後你看到認識的曲目便去看。所以他們總會帶着一定的期望入場，因而會影響接受程度。假若抱着『咩都唔係』的心態，或者會接受多一點，會看到之前看不到的東西。而跨媒介藝術最有趣就是『咩都唔係』，不用預先告訴你這是什麼，只要你帶着一個好奇心，去欣賞去感受已經足夠，而最終跨媒介藝術這個詞，只是一個很大的樹蔭去支持『咩都唔係』的人。」 APRIL 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/445aa92b-4c4f-4517-9ac0-b0beb87aaafc/Screen+Shot+2021-11-15+at+12.55.08+PM.png</image:loc>
      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>Menú del día: Interview by South China Morning Post “Hong Kong’s contemporary percussion group, The Up:Strike Project, will be putting this same idea into practice next month at the city’s New Vision Arts Festival – which introduces audiences to pioneering, trendsetting and groundbreaking performing arts from around the world – by asking the question: can what you hear affect what you taste?” Read the Full Story here OCTOBER 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/577be02103596e2e0479744c/3c33d6d1-c56b-49b3-a0c6-6e45de06cbdb/Screen+Shot+2021-11-15+at+12.58.31+PM.png</image:loc>
      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>Menú del día: Interview by Singtao Daily 「《是日酒單》終延至今年上演，阿根廷音樂仍是主調，但葡萄酒給換上雞尾酒──雞尾酒以罐盛之，不礙事，舊瓶新酒，或更合時宜。他們邀來本地調酒師李城飛，以阿根廷「國民味道」布蘭卡苦酒（Fernet Branca）為主角，調製兩款手工雞尾酒，配搭五首曲目。揭開序幕的，是Viet Cuong（美國）的《Water, Wine, Brandy, Brine》，玻璃杯也是敲擊樂器，看來很好玩，「以此開場，希望觀眾覺得，新音樂其實不是那麼難接受。」接下來Astor Piazzolla（阿根廷）的《Histoire du Tango》，探戈也是普羅大眾熟悉的旋律節拍。 這兩首作品，所配搭的那款雞尾酒味道，也是較易入口的，但後來的Philippe Manoury（法國）《Marimba Duo from Le Livre des Claviers》、Facundo Negri（阿根廷）《A-Lógica 3》、John Cage（美國）《Credo in Us》卻不然，都是被余林橞形容為「哽」的曲目，「《Credo in Us》是John Cage在戰爭時寫的作品。疫情下也像戰爭狀態，一切變得諷刺、滑稽，這首曲也有滑稽的味道，很切合我們現在的狀態。」這首作品所配搭的雞尾酒，味道極端，她笑說，你要麼很歡喜，要麼很討厭。」 Read the Full Story here OCTOBER 2021</image:caption>
    </image:image>
    <image:image>
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      <image:title>elsewhere - Make it stand out</image:title>
      <image:caption>「跳出樂器框框 拍、打、捽 身體奏出敲擊樂」Interview by Mingpao Excerpt: 「?Corporel在音樂廳演出，但沒有樂器，有聲音也有動作，其實是屬於哪一類型的作品，抑或「咩都唔係」？Karen直言就是「咩都唔係」才最有趣。「通常去參加一場演奏會，看宣傳單張你便會知道會演奏哪些作品，然後你看到認識的曲目便去看。所以他們總會帶着一定的期望入場，因而會影響接受程度。假若抱着『咩都唔係』的心態，或者會接受多一點，會看到之前看不到的東西。而跨媒介藝術最有趣就是『咩都唔係』，不用預先告訴你這是什麼，只要你帶着一個好奇心，去欣賞去感受已經足夠，而最終跨媒介藝術這個詞，只是一個很大的樹蔭去支持『咩都唔係』的人。」 APRIL 2021</image:caption>
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